Showing posts with label Faye Marsay. Show all posts
Showing posts with label Faye Marsay. Show all posts

Tuesday, 10 September 2013

Anne Neville, the odd queen out

To catch a king - the romance and politics behind a royal marriage have long fascinated historians and novelists alike. What is it about the women who wear a consort's crown that makes them marriage material for monarchs?  The hint of a love story is enough to send hearts racing and pens pounding paper while the heartbreak of young women left in miserable marriages because it suited the ambitions of their husbands, fathers and brothers has a poignancy all of its own.  In England, monarchs have ascended the throne with a spare consort's seat to their left with astounding regularity.  Kings complete with queens on the day they took the throne were a rarity and from 1377 until the rise of the House of Stuart in 1603, just one queen was already wed to her king on the day of his accession.  And that was Anne Neville.

 
Anne Neville (Faye Marsay) and Richard III (Aneurin Barnard) save money by being crowned at the same time in The White Queen

From the accession of Richard II on that fateful day in 1377 to the rise to the throne of Edward IV in the bloody battles of 1461, all English kings had been free and single - if not always young - when they took the crown.  Youth had certainly played a part in some kings not having wives to be crowned alongside them - Richard II was just ten when he became king as was Edward V and although that didn't preclude marriage or betrothal, it also meant there was still time to find a bride if no arrangements had already been made.  Henry VI had been just nine months old and even medieval royals, on the whole, considered that too young for a promise of marriage.

 

Henry VI (David Shelley in BBC One's The White Queen) was 23 years into his reign when he married for the first (and only) time - a record for an English king.  But then he was just 24 at the time of the wedding.

But the political instability surrounding the crown had also played its part.  Edward IV was 19 when he became king but he was also a usurper and they weren't top of the shopping list for ambitious fathers looking for husbands for royal princesses or wealthy heiresses.  That wariness about hooking up with wobbly kings might have had a bearing on the marriage prospects of Henry V.  He was heir to the throne because of his father's usurpation and while dad, Henry IV, negotiated marriages for his two daughters to European royalty, none of his surviving sons married until late into his reign.  Henry IV himself had taken the throne unmarried, his first wife dying five years before he became king.  All told, the kings of the Wars of the Roses didn't exactly attract royal brides like bees to honey.

 
Mean, moody and marvelously good looking, Edward IV (Max Irons in The White Queen) was too busy fighting battles to find himself an eligible European bride so became yet another single king
 
But then kings fighting for thrones had other things on their minds than marriage.  Once the crown was secured, the choice of bride was perhaps even more important for usurpers than kings who ruled by right of birth.  And from Richard II through to Richard III, choosing who to ally the royal house with via the marriage of the king was of huge importance.  Richard II's advisers linked him to powerful families in Europe while Henry IV chose a women with political clout of her own.  Henry V picked a bride who could give him another kingdom while Henry VI's advisers chose someone who might just help their failing war in France.  Edward IV had changed everything by marrying a commoner but Elizabeth Woodville's real power was in destablising the dominace of Kingmaker Warwick at a time when Edward was in danger of falling into the pattern of a puppet king.  Edward IV picked a bride who would make him powerful where it mattered - in the heart of his own court.


Edward IV and Elizabeth Woodville made each other very powerful indeed
 
Anne Neville was not a potential queen by either standard but then Richard wasn't choosing a consort on the day of his wedding.  He had no realistic prospect of being king and needed a powerbase to stop himself being written out of the story of the three sons of York as a poor relation.  Anne had cash and needed a husband to protect her as her brother in law - and Richard's brother - wanted her fortune and had his hands half way round it.  Their marriage suited them both as younger siblings of splendid families.  But it wasn't a marriage of a king and a queen.  The main beneficiary was Edward IV.  He was now more secure on the throne than ever and he owed his crown this time mostly to himself.  Whereas his accession in 1461 had been the work of the three York boys and the Kingmaker, this time round Edward had fought for the right to rule and won.  And strong kings can divide and rule.  By allowing Richard to marry Anne he antagonized middle brother, George, who wanted the Neville fortune to fall intact to his wife, Anne's sister Isabel.  The wedding of 1472 made sure that Richard and George would never come together to side against him.  He had all his men, friend and foe, where he wanted them.

 
The marriage of Anne Neville to the man who would make her his queen, Richard III, in a scene from The White Queen
 
 
Which makes Anne Neville an accidental queen of England.  When Richard became king it didn't take long for rumours to surface that he wanted rid of his wife.  Whatever the source of those whispers, the queen consort had few friends to defend her and her death in 1485 was followed soon afterwards by suits of interest from Richard III to a Portuguese princess.  The fact that Richard was only linked to women of royal blood after Anne's death - even if two were his nieces - demonstrates that he was reverting to type when choosing a queen.   Anne may have bucked the trend for queens just as much as The White Queen, Elizabeth Woodville, but she never came close to enjoying the success as consort that her rival did.
 

Friday, 9 August 2013

The White Queen - reviews so far


 
In which we meet a kingmaker and a king in love...but does he really make a queen or a fool of the girl who falls for him?

 
Episode one - fall in love with Edward and Elizabeth

*********

 
A coronation, lots of babies and quite a lot of history in a very short period of time

 
Hardly a spoiler - you know she was queen

*****

 
Things get very dramatic and very sad as friends fall out - be warned, this is a weepie....


The Kingmaker and his two daughters

*****

 
Make room for one more queen and this one's very bad indeed....

 
The kingdom isn't big enough for all these queens - another consort makes an appearance in The White Queen

*****

 
The Red Queen comes into her own and it's worth watching the series for this episode alone

 
Mad, bad and definitely dangerous to know - Margaret Beaufort is magnificent in The White Queen

*****

 
More plotting from the queens in their various corners and a hidden love story that will win an unlikely girl a crown in the end

 
And then they fell in love - or did they?  Richard III and The Kingmaker's Daughter

*****
 
Another heartbreaker, for other reasons...this is drama from start to finish....


Edward's brother, George, isn't the biggest fan of his sister-in-law, The White Queen

*****
 
 
The women really are in charge by the end of this one

 
The three women running England in The White Queen
 
 
One of English history's greatest mysteries is explored...and an illicit romance is hinted at...
 
 
Another queen for England - Anne Neville is just one of the suspects in the frame for the murder of the princes in the Tower
 
 
This is where the story ends....a final battle for the throne of England and a queen trying to persuade a princess to swap her coronet for a crown...
 
 
Back where she began in Grafton, Elizabeth watches and waits to see who will wear the crown that once belonged to her husband and her son


The White Queen is about to conquer America

Three women, one crown, endless ambition.  That's just the start for the story of The White Queen and her great rivals which is about to get its first airing on American TV when the series begins on Starz on August 10th.  Elizabeth Woodville, Margaret Beaufort and Anne Neville will recommence their epic battle for the throne of England in a story that never fails to fascinate.

 
The battle begins again for the White Queen (Rebecca Ferguson, The Red Queen (Amanda Hale) and The Kingmaker's Daughter (Faye Marsay) as Philippa Gregory's version of their stories hits America
 
Who will prove most popular with American audiences?  The beautiful widow who wins a king beneath a tree?  A plain widow abandoned by her family who is trying to make her way and her son's fortune in a world against her?  Or the young girl who will be widowed before she's an adult in the schemes of her father? 
 
The White Queen and her handsome king get top billing - to start with
 
There are enough thrills and mysteries to keep the most ardent history fan going and if there are a few holes here and there, overall it's a great ride that keeps on entertaining.  But then if you're bringing one of the most dramatic parts of British history to life then it's hard not to win - sometimes the truth really is stranger than any fiction.
 
The reviews have all been brought together in the post linked below....be warned, we're up to episode eight in the UK, so there are spoilers!
 
 
 

 
 

Wednesday, 31 July 2013

Confused by The White Queen

I've watched episode seven of The White Queen twice now and I still don't get it.  Not the history.  That was well done and managed to pare the details down to make them understandable without losing too much of what really happened.  The bit I don't get is why we are expected to believe anything about Elizabeth Woodville in this interpretation of her story.  The Philippa Gregory novels on which this TV spectacular are based are far more mysterious and interesting when it comes to bringing this queen consort to life.  In this series, the first commoner to wear the crown of England is nothing more than a beautiful bystander to the Wars of the Roses rather than one of its causes.  And that leaves massive holes in the story that can't be filled by longing looks alone.

 
The White Queen - yes, she was lovely to look at but as well as beauty beyond compare her ambition was pretty unmatchable as well
 
This week we reached the soap opera part of Edward IV's reign with more family intrigue than a Christmas episode in Weatherfield and Walford combined.  The king was secure enough from the threat of Lancaster but found plenty of things to worry about closer to home.  Not least the rather false looking stomach that he'd been provided with to show he was getting older and unhealthier.  Edward IV was handsome, dashing and gorgeous.  But the years of excess he indulged in after finally defeating Lancaster in 1471 quickly took their toll.  Max Irons had the body of an am dram Henry VIII but the face of, well, Max Irons.  Still young and beautiful, it's hard to believe he's aged a day let alone a decade since the story started.
 
 
Being king is a walk in the park for this Edward IV - not so much as a grey hair or little wrinkle
 
While he caroused with mistress, Jane Shore, Elizabeth delivered another son who was apparently saved by Margaret Beaufort.  The bond between the two women seemingly strengthened and within minutes Maggie was off spying for the queen at court, listening in magnificent style to every conversation being whispered in corners.
 
 
Margaret Beaufort (Amanda Hale) found a new role this week - curtain twitcher
 
The Neville sisters fluttered around the edges, giving voice to the fears that Elizabeth was ruling the king and thus his kingdom through both fair means and foul.  But while we've lived every moment of the White Queen giving birth, Anne and Isabel dropped three sprogs between them without batting an eyelid.  Suddenly, baby Margaret was being bounced around by Isabel and husband George while Anne was telling Richard that their son, Edward, was still small but would grow.  The arrival of heirs to the brothers of Edward IV was one of the reasons the bond between them began to fragment as each could offer a son to take the crown in the future.  And yet, Edward of Middleham and Edward, last of the Plantagent men, were confined to bit parts in this telling of the saga.
 
 
Isabel and Anne Neville with mum in happier times
 
But the real star of this week's show was George, Duke of Clarence.  Having not spoken for at least four episodes suddenly David Oakes came into his own.  George's treachery and the decision of the king to execute his brother is one of the most spine tingling, sensational and strange chapters of English history.  Hats off to the script writers for making it understandable in one hour long episode but it's a shame that we haven't seen more of the double dealing all the way through.  We had him siding with Warwick in the 1470 battle of the red and white but that was all very short and neat and with little inkling of the anger and fraying of fraternal relations that this entailed. 
 
 
George, Duke of Clarence let brotherly rivalry get the better of him in this week's episode
 
George made it clear he wanted a crown for real and nothing was going to stop him. First he tried to be regent of France then when Edward decided not to wage war, he cosied up to King Louis in a strange scene involving lots of floating material and not much dialogue.  France gone, only England remained and George crashed through several crazy attempts to change the head wearing the crown.  He accused the queen of being a witch then hired a sorcerer to bring about the death of the king.  Meanwhile, he'd convinced his pregnant wife they were in danger of being poisoned by Elizabeth.  Off they went to Warwick Castle where she promptly died leaving him to accuse the queen of killing her.  And when Edward refused him a foreign royal bride off he went to Louis again - fortunately this time we were spared the floaty curtains and menacing looks.  
 
  
Isabel Neville's death led to George putting about more rumours about the queen
 
He finally lost his marbles, and any hope of making it through to episode eight, when he gatecrashed Edward's celebrations to mark 15 years as king.  The effect of a masked ball with no one sure who hid behind the rather scary animal heads being donned all round added real drama to the episode as did the silence of the trial scenes and the begging by Duchess Cecily that one of her sons would spare the life of another.  Caroline Goodall's magnificent begging was all in vain and the drowning of the duke was played out in gruesome colour, ending the reign of the three sons of York.
 
 

 
Drowned in a butt of malmsey wine - Edward IV allowed his brother one tiny piece of clemency and that was to choose the method of execution
 
It was a shame that time meant we couldn't get into some of the more intriguing subplots  In the run up to his last act of treachery, George became convinced Isabel had been murdered and held a show trial of a woman he accused of poisoning her.  That was lost, as was Anthony Woodville who is meant to be Elizabeth's closest relative and confidante as well as adviser to the king.  This week he went on pilgrimage, just like that, and returned at the end for a chat in the garden.  His integral role in the hatred directed towards the Woodvilles when they were at the height of their power hasn't even been mentioned.  Instead he makes just like his screen sister and wanders around looking blonde and beautiful but with little substance.
 
 
Anthony and Elizabeth Woodville - making pale very uninteresting
 
And all the time, in the background, are Margaret Beaufort and husband number three, Lord Stanley.  They lurk in the shadows, whisper in the silences and hold gallons of venom and determination hidden behind poker faces.  Amanda Hale and Rupert Graves are magnificent as the ultimate power couple on the make.  They shifted sullenly through the intrigue and drama this week, shaping events to their own ends without anyone noticing.  And their exchange at the beginning of the episode when husband begged wife to play her part properly was a married couple brought to life to perfection. 
 
 
Lord and Lady Stanley may be about to emerge from the shadows as The White Queen heads towards its conclusion
 
Not wanting to spoil the ending, but thank goodness they'll be around to the end of the series.  Unlike Edward - I fear Max Irons may be bowing out next week as the story gallops to its conclusion.  His one consolation is that his character will be the only forty year old with wrecked health who still looks nineteen.
 
 
 
Maybe he moisturizes.  Max Irons as Edward IV, still impossibly young and handsome after two decades of war and retribution not to mention the wine, women and song.
 
 
The White Queen is on BBC One on Sundays at 9pm.  All photos from the BBC.


Tuesday, 2 July 2013

At last, The White Queen gets a bit dirty....

BBC One's epic historical drama, The White Queen, is reaching the crux of the story and is finally getting really good.  Never mind the romance of episode one or the crash lesson in medieval history that followed, part three gave us a proper old fashioned soap opera telling of an old, old story.

We're now at 1469 and the start of a turbulent two years that would see two Queen Consorts of England - a fact referenced by Izzy Neville who worried she might be put in danger as a potential third.  She and her sister, Anne, were at the heart of the action this week as their father started playing all kinds of tricks on Edward IV in another bid to take total control of the country.  Warwick spent much of the episode setting up a fake attack on the king to try and capture or kill him, spurred on in the knowledge that Isabel was expecting a baby that would provide an heir for Edward's brother, George.


Isabel Neville (Eleanor Tomlinson) came tantalizingly close to being Queen of England
 
 
As the action shifted to the epic battle in the middle of Edward's reign between York and Lancaster we also saw much more of Margaret Beaufort.  So far a staid presence, doing good and lecturing others to do the same, this week Margaret got manipulative and a bit minxy to boot.  Seeing the possibility of an empty throne, she plotted against both kings and even gave up her nunnish ways to seduce her long suffering husband, Lord Stafford, in an attempt to raise an army to grab the crown for her son, Henry Tudor.  Margaret is a bit of a star turn in the show - increasingly mad, fairly bad and definitely dangerous to know, especially for her younger brother who turned up half way through looking scared and was dead less than ten minutes later, perhaps justifying the look of terror he wore throughout proceedings.
 
 
Margaret Beaufort (Amanda Hale) takes being a pushy mother to new heights
 

All this meant that Elizabeth, the White Queen of the title, took a bit of a back seat this week and the programme was no worse for it.  On her few appearances she developed a bit more bite which also helped a great deal.  The big issue I've had at the start of this telling is that Elizabeth is too white - there's nothing of the scheming, ambitious woman that must have lurked within her to get to where she rose to.  She was beautiful, we know that, and Edward was obsessed with her.  All this is true.  But the portrayal so far of a woman who just happened to fall in love with the King of England and suffered as a result takes away so much of what makes her one of the most fascinating queens there is.
 
We saw her become increasingly angry and bitter about the deaths of her father and brother at the hands of Warwick and there was some lovely low key hissing at Warwick's wife.  She was still all sweetness and light despite the utter rudeness of Warwick at the Christmas celebrations but then went off to stir up a storm that resulted in the end of his plans to take the throne from Edward and also ended with the loss of Isabel Neville's baby.
 
 
Elizabeth Woodville (Rebecca Ferguson) finally started to show her teeth in The White Queen
 
 
Which means the race is still on for a York heir.  And all the time, in the background, Anne Neville watched and waited, wondering what her part would be.  A rather clunking exposition of gender roles in the 15th century aside (James Frain as the Earl of Warwick explaining to Anne that she must play her part and just get on with things) the development of Anne's character is fascinating and the scene in which Elizabeth humiliated her as she set about getting frisky with the king in front of her was great.  A proper power struggle with Elizabeth picking on the wrong Warwick for revenge.  The trauma of watching her sister lose her baby was also well played out.  Anne is a fascinating and in may ways tragic Queen of England and it will be interesting to see how her story is told in future weeks.
 
 
Anne Neville (Faye Marsay), often put upon but showing nerves of steel
 
 
Onward to the big battle then.  We hit 1470 next week which means sanctuary in Westminster Abbey, babies galore and a right royal battle for the throne.  And hopefully a bit more of a relationship between the York boys.  I know this is the War of the Roses told through the eyes of the women but at the heart of the White Rose was an unbreakable bond between Edward IV, George and the future Richard III.  Brothers who fought for a crown and would do anything for one another, they barely seem to have met in this interpretation.  And given some of the drama still to come, that could prove a tricky one to catch up on in one episode.  Here's hoping....
 
 
 
Richard, Edward and George on one of their rare appearances together
 
 

 

The White Queen is on BBC One, Sundays, 9pm (all photos from the BBC)